News

Thomas G. Brady painting “Bill Davis” now on consignment with Mark Borghi Fine Art in their Bridgehampton, NY gallery.

Contact lucy@borghi.org for pricing and additional information.

Bill Davis, Oil on Panel, 40×31″ 2004

Market Art + Design July 5th-7th 2019

The Bridgehampton Museum
2368 Montauk Highway Bridgehampton, NY 11932

Market Art + Design, the East End’s premier art fair, returns to The Bridgehampton Museum in July of 2019. Market Art + Design’s ninth edition will feature 80 top galleries presenting the best in modern and contemporary art and design in an expanded, museum-quality pavilion in the heart of the Hamptons, just off Highway 27 (Montauk Highway) in the town of Bridgehampton.

Booth 718


JSF Contemporary is proud to be exhibiting in the inaugural contemporary art fair in the city of Philadelphia! Join us April 4th – 7th at the 23rd St Armory located at 22 S 23rd St Philadelphia, Pa. Come visit us at Booth #121.

“The inaugural Philadelphia Fine Art Fair (PFAF) is a tightly curatedboutique and impeccably designed fair providing attendees a casual and manageable viewing experience. Prices for artworks will range from $3,000 to $1 million+. There are “must have” treasures for every budget. The fair’s highly – regarded galleries hail from 4 countries, 8 states, as well as a strong local representation.”


FEATURED IN ART AND ANTIQUES MAGAZINE MARCH 2019


PAST EXHIBITIONS

Thomas G. BradyPastels
January – March 2019

These intimate works on paper are the perfect entry point for new, young or seasoned collectors looking to own a Brady.

Interested in owning a pastel? Click the PASTEL SHOP  and browse online!


Thomas G. BradySelected Works
 November – December 2018

“Art always makes a political statement. Half of art is what you choose to paint, the other half how you paint it. I choose to paint workers, people on the streets, landscapes inhabited by family farmers invisible to the corporate life. I grew up the only son of a truck driver when unions equaled freedom and workers were crusaders in the cause.
On a chilly morning, I stand off to the side, pastels and sketchbook in hand; people are huddled, waiting and watching; cabbies sip coffee; black suits rush by. The bus pulls up; the old guy stands, cane leading; he moves in line to board. The bus, the line, the man and the cane create the moment, and my frantic drawing begins.
In the studio with fifty colors and just as many brushes, music blaring, I attack the painting. All at once, creation in a moment, cover all the canvas, mark against mark, movement and counter movement, yellow always yellow, gobs of white, cans of turpentine, piles of rags. Paint over paint, colors upon colors making new colors, sensuous and gestural. What are the essentials, what is real, what is important, what is true?
Two processes are intricately related, the initial inspiration of the street pastel and the physical transformation of the image into paint. These are seemingly simple processes as long as you are willing to throw out forty of the fifty initial pastels and from the few that really are inspirational, make fifty new preparatory drawings. Then you paint for thirty years, hope and pray; and with a little luck, the culmination of the processes has magically taken on a life of its own.”
– Tom Brady

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